Each scene using this IP automatically splits 4% of earnings to the rights holder via smart contract.
EXT. ANFU ROAD — DAWN
Empty cobblestone street. Plane trees rustle. SUN WUKONG (30s, in a worn varsity jacket) sits on the curb, staring at a single hair he tried to transform. Nothing happens.
INT. "STILL POINT" COFFEE — CONTINUOUS
Symmetric frame. Warm pastels. SUN WUKONG stands behind a tiny counter, holding a portafilter like it's a magical artifact. OLD MRS. ZHOU (70s, calm) reads a newspaper at the far table. She doesn't look up.
"You missed the milk. Again."
INT. STILL POINT COFFEE — LATER
MRS. ZHOU finally folds her newspaper. The headline, briefly visible: "Heavenly Court declares unprecedented disturbance — fugitive at large." She slides a folded napkin to Wukong without looking up. He opens it. Inside: a single strand of golden hair, glowing faintly.
Scene 3's reveal lands harder if we delay the napkin moment by 2 beats. Want me to add a quiet pour-and-watch interlude before the napkin?
Claude · Sonnet 4.6 · 4 turns
| # | Scene | Shot | Camera | Duration | Characters | Status |
|---|---|---|---|---|---|---|
| 01 | S1 · Morning | Wide · empty Anfu road | Static · symmetric | 4s | — | Done |
| 02 | S1 · Morning | Medium · Wukong on curb | Static · centered | 6s | 🐵 | Done |
| 03 | S1 · Morning | Close-up · hair in palm | Macro · slow zoom | 3s | 🐵 | Done |
| 04 | S2 · Shop | Wide · symmetric interior | Static · golden ratio | 5s | 🐵 👵 | Generating |
| 05 | S2 · Shop | Medium · Wukong w/ portafilter | Static · slight tilt | 5s | 🐵 | Queued |
| 06 | S2 · Shop | Medium · Mrs. Zhou reading | Static · centered | 4s | 👵 | Queued |
| 07 | S2 · Shop | Insert · dialogue + reaction | Two-shot · static | 6s | 🐵 👵 | Queued |
| … | 5 more shots in Scene 3 | |||||
Wes Anderson typically uses 35mm focal length with golden-ratio centered framing. I've applied that to shots 04–07. Shots 02–03 are macro-leaning, which intentionally breaks the rhythm for emphasis. Approve?
Variant 1's static frame matches Wes Anderson's typical rhythm best. Variant 2 adds drama but breaks the established stillness. I'd recommend v1 unless you want a deliberate stylistic shift.
A monkey king with no powers takes a job at an Anfu Road coffee shop. The owner knows more than she lets on. Wes Anderson aesthetic, 1m28s, Wukong IP.
Scene 2 runs 6s longer than Wes Anderson's typical reveal cadence. Trim shot 04?
Shot 03's macro tone breaks the symmetric rhythm. This is intentional? Tag it as "deliberate" so the editor doesn't flag it later.
Adding "Nezha cameo" in scene 3 would create a Wukong-Universe crossover hook. Want me to draft it?